Filmmaker working with AI, director, technical artist, and small-studio toolmaker based in Shanghai.

I make AI-native animated films and the production systems behind them: storyboards, prompt languages, model tests, local-first tools, agent workflows, and small creative interfaces.

My favorite creative shape is simple: a tiny action opens a world. A small gesture enters a museum, a city, an artwork, or a public screen. The story feels light, but the pipeline underneath has to be precise.

Most works below are watchable inside my interactive 3D portfolio plaza: ringhyacinth.github.io/hyacinth.im-site.

《故宫猫猫上班记》 Palace Cats Clock In · Beijing Daily · TED2025 / Expo 2025 Osaka screenings TED2025 feature · TED Session 9 · Beijing Daily	《文明小猫游浦东》 A Civilized Kitten Tours Pudong · Pudong Civilization Office · city-culture public-screen film Xinhua / Xinmin Weekly	《来自卢浮宫的猫》 The Cat from the Louvre · Museum of Art Pudong x Louvre · exhibition campaign film Creative write-up
《浦美 x 莫兰迪宣传片》 MAP x Morandi Exhibition Trailer · Museum of Art Pudong / East Bund Culture · “Giorgio Morandi: A Monologue” exhibition trailer	《旧时王谢堂前燕》 Swallows Before the Old Halls · Beijing International Film Festival · official promotional film	《画框之外》 Beyond the Frame · Kling AI · multi-image reference model campaign film
《浦东你是一杯咖啡》 Pudong, You Are a Cup of Coffee · Lujiazui International Coffee Culture Festival · public-screen film	《咪：当魔术助理能起号吗》 Meow: Can a Magic Assistant Go Viral? · Red Star Macalline · campaign film	《掉进前滩的兔子洞》 Down the Qiantan Rabbit Hole · Pudong Qiantan · Shanghai International Flower Festival film
《武汉十二时辰》 Twelve Hours in Wuhan · Volcano Engine x Wuhan Culture and Tourism · touring exhibition film	《当名画来试镜》 When Masterpieces Audition · Gaga AI · promotional film for gaga.art	《喜人奇妙夜 2026 全国巡演》 Super Sketch Show 2026 National Tour · Stand:by & MeWe · large-screen touring content
3D Portfolio Plaza A playable portfolio site where visitors explore works, videos, radio links, notes, and contact points through a tiny 3D world.

Star-Office-UI A tiny pixel office for OpenClaw: turning invisible work states into a cozy interface with characters, notes, and guest agents.

hyacinth.im-site Public deploy artifact for my 3D portfolio plaza, built with React, Vite, Three.js, and compressed web playback media.

• Creative systems for AI filmmaking: script expansion, text storyboards, contact sheets, panel splitting, shot-level prompts, delivery packages.
• Director-style previs workflows: fast ways to see motion, blocking, rhythm, and camera choreography before committing to final images.
• Prompt formats as production documents: prompts that preserve camera, motion, material, causality, edit rhythm, and art direction.
• Local-first studio infrastructure: project memory, reference boards, task logs, GitHub sync, private asset boundaries, and small automation tools.
• Interfaces for invisible work: playful frontends that make agent states, creative tasks, and long-running systems easier to understand.

• How can AI films keep artistic intent through many model steps?
• Can prompts become editable production documents instead of one-off magic spells?
• How small can a studio stay while still shipping ambitious cinematic work?
• Can a light, cute entry point carry cultural memory without flattening it?
• What kind of local agent system helps artists feel more free instead of more managed?

I run 海辛阿文工作室 / Haixin & Awen Studio with Simon Lee, a tiny AI animation studio exploring warm, cinematic AI stories and practical production workflows.

I have worked as Midjourney CN Content Lead, Morph Studio Product Lead, and Luma AI Technical Artist. My training crosses film and public health: MFA in Film Production from Loyola Marymount University, and Public Health at West China School of Medicine, Sichuan University.